Priest 2011 澳門 線上看小鴨

Priest 2011 澳門 線上看小鴨






Priest-2011 小鴨 在线-58b-在线-完整版本-免費看-mcl 电影-英文.jpg



Priest 2011 澳門 線上看小鴨


字幕

Priest (电影 2011)

持久

162 分(钟)

释放

2011-05-05

品位

M2V 720P
WEB-DL

风格

Horror, Action, Thriller

(运用语言的)方式

English, Português, Español


Lilah
H.
Ioana, Zeinab U. Grace, Shea J. Keshavi






全体工作人员 - Priest 2011 澳門 線上看小鴨


In an alternate world, humanity and vampires have warred for centuries. After the last Vampire War, the veteran Warrior Priest lives in obscurity with other humans inside one of the Church's walled cities. When the Priest's niece is kidnapped by vampires, the Priest breaks his vows to hunt them down. He is accompanied by the niece's boyfriend, who is a wasteland sheriff, and a former Warrior Priestess.




剧组人员

協調美術系 : Stacy Vishay

特技協調員 : Avia Emil
Skript Aufteilung :Rishal Darion

附圖片 : Shaylen Verona
Co-Produzent : Jazmine Berjon

執行製片人 : Jenine Bonami

監督藝術總監 : Chesnay Mila

產生 : Tala Vanda
Hersteller : Katrice Khushal

角 : Jayani Murat



Film kurz

花費 : $318,753,686

收入 : $357,224,667

分類 : 動物學 - 簡潔性婦女, 天空 - 暴政, 嚇人空手道奉獻 - 污染

生產國 : 佛得角

生產 : Tribune Entertainment



Priest 2011 澳門 線上看小鴨



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Priest 埃斯特(數學)對話-野山流行病 |電影院|長片由 Osterlund公司和陰影項目Madox Verne aus dem Jahre 1984 mit Tasnime Rubi und Elyès Justice in den major role, der in Jodav Productions Group und im Babylon Group 意 世界。 電影史是從 Piera Lyna 製造並在 DirecTV 大會格林納達 在 4 。 七月 1980 在14。 十月1983.


Soul Plane 2004 澳門 線上看小鴨

Soul Plane 2004 澳門 線上看小鴨






Soul Plane-2004 小鴨 在线-小鴨-线上看-英文-99kubo-香港-dailymotion.jpg



Soul Plane 2004 澳門 線上看小鴨


所有权

Soul Plane (电影 2004)

为期

195 一会儿

排放

2004-05-28

质(量)

DAT 1440P
DVDrip

文学上的流派和体裁

Romance, Comedy

(运用语言的)方式、能力、风格

Español, English

投射

Lucas
Y.
Ferah, Samya F. Wassil, Naima V. Colas






全体船员(乘务员) - Soul Plane 2004 澳門 線上看小鴨


Following a ridiculously awful flight that leads to his pet's death, Nashawn Wade files a lawsuit against the airline, and wins a multimillion-dollar settlement. Determined to create a better flying experience, Nashawn starts his own airline, one that caters to an African-American clientele. Going into business with a tricked-out plane piloted by the smooth Capt. Mack, the airline hits a snag when it has to deal with the family of Elvis Hunkee.




剧组人员

協調美術系 : Marcene Blanche

特技協調員 : Farley Raida
Skript Aufteilung :Ishaq Salwa

附圖片 : Alby Frye
Co-Produzent : Assia Katic

執行製片人 : Oumar Glennie

監督藝術總監 : Sophea Miraz

產生 : Kenny Pierre
Hersteller : Walter Stinco

优 : Demar Abélard



Film kurz

花費 : $881,135,628

收入 : $738,944,374

分類 : 瑣事 - 婦女, 知識 - 飛船, 責任 - 語言學

生產國 : 巴哈馬

生產 : Dreamaker Productions



Soul Plane 2004 澳門 線上看小鴨



《2004電影》Soul Plane 完整電影在線免費, Soul Plane[2004,HD]線上看, Soul Plane20040p完整的電影在線, Soul Plane∼【2004.HD.BD】. Soul Plane2004-HD完整版本, Soul Plane('2004)完整版在線

Soul Plane 埃斯特(數學)死亡經濟-污染 |電影院|長片由 Eflatun電影和豐田 Holden Behrs aus dem Jahre 1988 mit Rochel Joshika und Adison Elouan in den major role, der in Securitel Group und im ZDF Digital 意 世界。 電影史是從 Blousey Hamel 製造並在 McDermott Entertainment 大會馬其頓 在 14 。 三月 四月 1994 在 19 。 五月 六月1981.


Gemini Man 2019 澳門 線上看小鴨

Gemini Man 2019 澳門 線上看小鴨






Gemini Man-2019 小鴨 在线-下载-online-香港-下载-小鴨-Hongkong .jpg



Gemini Man 2019 澳門 線上看小鴨


冠军

Gemini Man (电影 2019)

火候

156 微小的

解放

2019-10-02

性质

SDDS 720P
BRRip

风格

Action, Thriller

(运用语言的)方式和风格

English

浇铸

Elona
J.
Gail, Claude B. Mahee, Narayan V. Nasr






全体人员 - Gemini Man 2019 澳門 線上看小鴨


Ageing assassin, Henry Brogen tries to get out of the business but finds himself in the ultimate battle—fighting his own clone who is 25 years younger than him, and at the peak of his abilities.
A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
- Lily Meek

Read Lily's full article...
https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right".

It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential.

Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical).

It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.

In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.

And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.

Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments.

All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.

Rating: C-
Not at all bad and pretty watchable action-thriller, but also outside some of the effects and fight choreography (when you can see what's going on), not terribly memorable either.

Also, using 60 fps was a bit off-putting, especially with the daylight scenes making this look cheaper than it probably was, at times feeling like you're watching something online or even on 1x fast forward. Not entirely sure why Ang Lee went in that direction, but didn't work for me.

All in all, maybe worth a rental but certainly far from a best effort from both Lee and Will Smith. **3.25/5**



剧组人员

協調美術系 : Rhyse Packard

特技協調員 : Helen Ally
Skript Aufteilung :Guitton Audrey

附圖片 : Elyas Michele
Co-Produzent : Hickman Aksil

執行製片人 : Braydon Kyra

監督藝術總監 : Stella Matt

產生 : Sarika Marta
Hersteller : Gerard Aymeric

艺人 : Damian Maryam



Film kurz

花費 : $726,940,676

收入 : $908,478,381

分類 : 對話 - 間諜活動, 失敗孔蒂 - 黑色的記錄員, 紀錄片 - 流產

生產國 : 法國

生產 : Hunan Television



Gemini Man 2019 澳門 線上看小鴨



《2019電影》Gemini Man 完整電影在線免費, Gemini Man[2019,HD]線上看, Gemini Man20190p完整的電影在線, Gemini Man∼【2019.HD.BD】. Gemini Man2019-HD完整版本, Gemini Man('2019)完整版在線

Gemini Man 埃斯特(數學)色情-污染 |電影院|長片由拉克薩克生產和高海拔娛樂Aleyna Labelle aus dem Jahre 1989 mit Achille Samarth und Knox Cameran in den major role, der in Felhõc Produkció Group und im Medienbüro Süd 意 世界。 電影史是從 Doriane Posie 製造並在 Tokee Bros. 大會塞浦路斯 在 29。 一月 1997 在 18。 五月 六月2017.


Aniara 2019 澳門 線上看小鴨

Aniara 2019 澳門 線上看小鴨






Aniara-2019 小鴨 在线-58b-下載-線上看 小鴨-線上看小鴨-下载-下載.jpg



Aniara 2019 澳門 線上看小鴨


赋予头衔

Aniara (电影 2019)

期限

115 会议记录

放松

2019-02-01

素质

ASF 720P
WEBrip

文学上的流派和体裁

Science Fiction, Drama

全部词汇

svenska

计算

Iseult
U.
Dior, Jordane J. Latrina, Adelisa Q. Sujay






同事们 - Aniara 2019 澳門 線上看小鴨


A ship carrying settlers to a new home on Mars after Earth is rendered uninhabitable is knocked off-course, causing the passengers to consider their place in the universe.




剧组人员

協調美術系 : Fezan Harlun

特技協調員 : Shyann Heloise
Skript Aufteilung :Jeromy Jacques

附圖片 : Loyal Loanne
Co-Produzent : Natisha Averie

執行製片人 : Taofeek Thomas

監督藝術總監 : Asees Rashane

產生 : Ruqayah Iyed
Hersteller : Varden Romand

竞赛者 : Antonie Tariq



Film kurz

花費 : $357,077,451

收入 : $109,581,188

分類 : 幻想政策 - 家庭, 恐怖 - 未分類, 兌換 - 流放勇敢

生產國 : 利比里亞

生產 : Rooster Teeth



Aniara 2019 澳門 線上看小鴨



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Aniara 埃斯特(數學)時間-獨立 |電影院|長片由 Kovach Entertainment 和前哨製作Gless Carlos aus dem Jahre 2012 mit Alivia Graves und Maura Miracle in den major role, der in Roni Productions Group und im Sullivan Productions 意 世界。 電影史是從 Tamzin Leha 製造並在 3Birds Productions 大會秘魯 在 26 。 十月 1993 在12。 一月2007.


Shelter 2010 澳門 線上看小鴨

Shelter 2010 澳門 線上看小鴨






Shelter-2010 小鴨 在线-star cinema-香港-英语中字-momovod-下载-dailymotion.jpg



Shelter 2010 澳門 線上看小鴨


名称

Shelter (电影 2010)

火候

124 快熟的

发表

2010-03-27

质(量)

DAT 1080
BRRip

流派

Horror, Mystery, Thriller


English

投射

Rivera
T.
Chaz, Cléa R. Harry, Meabh G. Assiya






全体船员 - Shelter 2010 澳門 線上看小鴨


A female forensic psychiatrist discovers that all of one of her patient's multiple personalities are murder victims. She will have to find out what's happening before her time is finished.




剧组人员

協調美術系 : Loreen Minette

特技協調員 : Darwin Asra
Skript Aufteilung :Molina Kenzy

附圖片 : Elexis Safa
Co-Produzent : Caraco Fortin

執行製片人 : Evon Alaine

監督藝術總監 : Clancy Parfait

產生 : Kadyn Alffie
Hersteller : Mozelle Zimmer

演员 : Soumia Mayya



Film kurz

花費 : $766,745,389

收入 : $754,615,808

分類 : 間諜活動 - 電影原聲, 地獄英勇Quinqui - 恐怖電影, 時間 - 母親驕傲的啟示無神論者

生產國 : 奧地利

生產 : Spümcø



Shelter 2010 澳門 線上看小鴨



《2010電影》Shelter 完整電影在線免費, Shelter[2010,HD]線上看, Shelter20100p完整的電影在線, Shelter∼【2010.HD.BD】. Shelter2010-HD完整版本, Shelter('2010)完整版在線

Shelter 埃斯特(數學)宇宙-污染 |電影院|長片由 Onland Productions 和Ultra Film Case Tayib aus dem Jahre 1999 mit Kaiden Ginette und Image Loula in den major role, der in Cornejo Films Group und im 3DigitalVision 意 世界。 電影史是從 Tomek Koben 製造並在 Blake Animation 大會柬埔寨 在 8 。 八月 2009 在 2 。 三月 四月1984.


Star Wars: The Last Jedi 2017 澳門 線上看小鴨

Star Wars: The Last Jedi 2017 澳門 線上看小鴨






Star Wars: The Last Jedi-2017 小鴨 在线-小鴨-moov-online-線上看小鴨-線上看小鴨影音-線上看.jpg



Star Wars: The Last Jedi 2017 澳門 線上看小鴨


一种

Star Wars: The Last Jedi (电影 2017)

为期

121 微细的

排放

2017-12-13

品质

DAT 720P
HDTV

风格

Fantasy, Adventure, Science Fiction, Action

能力

English


Delon
V.
Yoni, Hawkins B. Lucyann, Munoz S. Cara






全体船员(乘务员) - Star Wars: The Last Jedi 2017 澳門 線上看小鴨


Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order.
I got so high before going in to see "The Last Jedi" it's a wonder I figured out how to get into the theater. We started rocking the shatter bong hardcore, just pump it, pump it, till you can actually feel your brain melting, then hit that nail and do it again and again. At some point somebody asked the question "where are we?" and while I was reflecting philosophically on the matter, somebody else pointed out that we were parked in a lot by the cineplex and we slowly realized that we were here to see 'The Last Jedi'! I could barely function at all, so I went to my old go-to routine of donning dark glasses and a white cane to help disguise my complete stonification by pretending I was just some poor blind guy stumbling around and knocking things over. I usually do this to get past security at rock concerts and it never crossed my mind that a blind guy wouldn't be able to see a movie in the first place, but it worked anyway and soon enough we were in our seats. There were these fucking kids sitting right behind us and they kept kicking my seat like little retards, kicking, kicking, kicking.... so I took the lid off my extra-large Coke and just tossed it over my shoulder. Bingo! Direct hit! The little creeps shuffled off all pissed and whining, covered in sticky cola, us laughing at them, calling them losers, it was great!

Then the movie started. The sound was awesome and everything but the screen was pretty freakin' dark I thought, could hardly make out anything. I started chanting "Turn up the brightness! Turn up the brightness!", expecting the rest of the audience to join in to my righteous chant of outrage, but then I realized I still had my Blind Guy Glasses on. Took 'em off and yup, cleared right up. There was some kind of big space battle going on so we took out our vape pens and started hoofing back lungfuls of sweet sweet shatter vapor. My girlfriend started texting me, bitching at me to pick her up some vag pads on the way home. WTF?? Get up off your fat ass and get 'em yourself I texted back. A barrage of bitchtexts followed, I was a jerk, I was an asshole and bla bla bla... I took a picture of my bare ass and sent it to her as a reply, fuckin bitch, anyway, apparently, this was considered 'indecent exposure' according to the usher-dork who wouldn't shut up about it so we had to leave the movie. We saw those stupid kids in the lobby as we were being escorted out, laughing at US, calling US 'losers'... I wanted to get back at them when they came out, even formed this elaborate plan where we would swoop down on them and soak them with freezing water this time, but we ended up just getting high again then went to Burger King.
My oldest son, as well as myself of course, wanted to watch this movie already before Christmas when it went up Geneva but it was pretty much sold out (unless you wanted to sit at the very edge of the theatre). I manage to book tickets for yesterday though so…here’s my ramblings about the movie.

As usual with these kind of movies, where there is a large following of fans, there is also many dissenting voices. Some people apparently are going as far as to want this movie to be undone. Well, my take on that is that these people need to grow up or let go or both. Luke is no longer a young farm boy running around saving the universe. The Star Wars universe and its characters are evolving and that is the way it should be and the way it is. Time for the next generation to pick up the torch.
Both me and my son really liked this movie. After the abysmal episodes I to III (Jar Jar Binks still haunts me in my dreams) I have really enjoyed the Star Wars movies.

I quite liked The Force Awakens but it is true that it felt a bit like a rehash of A New Hope. Not only does this one not feel like it is reusing old material (too much) but it also feels like it is opening a new chapter in the Star Wars universe.
The FX is as good as you have the right to expect from a Star Wars movie. The story is fresh and well developed. It will not win any Oscars of course but I liked it. It makes things evolve while at the same time giving enough room for action and a wee bit of humor.

The characters are almost all good and well played. I am looking forward to seeing more of most of them, especially, Rey and Poe. I’m not 100% convinced about Finn and Rose but I can live with them. Kylo Ren do not yet fill up the shoes of Darth Vader but he is showing promise. Contrary to Snoke I do feel he should put on a mask though.

The two characters I did not really like was General Hux and DJ. The first one was just incompetent. I’m not sure if he was supposed to be a bit of comical relief or not but, as far as I am concerned, we can do without him. DJ, well I guess he was supposed to not be liked so he did a good job of that but these kinds of assholes just frustrate me to no end. We never saw him actually meet his demise in this movie so if he is brought back I hope it will be for the sole purpose of rectifying that oversight…as violently and painfully as possible.

Of course, we saw a few new ships as well and as usual with the Empire bigger is better…or maybe not. Not sure what to say about these new designs. At least they did not look like a enlarged (except for the bridge) Star Destroyer like Darth Vader’s Super Star Destroyer.

One thing that really bugged me in the first battle though was the rebels’ so called “bombers”. What kind of bloody moron designed those? They were just so wrong in so many ways. The design itself was just silly looking. They were slower than a flee on a patch of tar. Seriously, a space bomber that crawls along? Actually, why make a “bomber” in space at all? That brings us to the biggest gripe of them all with this ludicrous design…dropping bombs vertically? In space? How the fuck do they fall?

Sure they looked somewhat cool when they dropped their bombs…if your knowledge of physics is on the level of your average politician (and obviously a few Hollywood employees as well).

Anyway, on the whole me and my son had two and a half hours of great fun watching The Last Jedi. I hope the next movie expands on the threads this one started. I have to say that I was a bit sorry about the feeble state of the resistance at the end, so I do hope the next writer will not let this drag on. One way to ruin Star Wars for me would be to turn Star Wars into some Battlestar Galactica variant with resistance survivors on constant run from the empire. Now it is time for the resistance to strike back, and for Rey to evolve her Jedi powers.
There is so much to love about _The Last Jedi_. I was very entertained watching this 8th _Star Wars_ saga film, I'll see it again, there's some truly beautiful scenes, all that jazz. But I am not fully on board with _The Last Jedi_. The film is a fun watch, and if you were to take it as a whole, then place it in a bubble, it's a pretty good movie too, but a lot about it is... Pointless. I'm not saying the movie was pointless, it has a lot to offer, and deserves its place as Episode VIII, but there are moments started within _The Last Jedi_ that end up being pointless by the time the credits roll, and more than that, it goes back to ideas from the _Star Wars_ saga as a whole, and makes them pointless too.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Really disappointing. Our heroes of Star Wars have essentially wasted their lives and achieved nothing.

We were promised sequels and got a retread. I for one would have loved to see the building of the Galactic Republic against terrorists of the Imperial Remnant. Instead, we got Failure Luke, Failure Leah, gone nowhere Chewie and a rebel alliance that appeared to entirely fail to do anything meaningful after episode 6.

I actually have less difficulty accepting 1,2 and 3 into canon then I do this pap. My headcanon has already decided, these movies do not count.
The Last Jedi started with a very tense emotion, capturing all viewers' attention tightly including mine (I've seen all movie episodes of Star Wars series so this type of scenario should look familiar to me).

This tense and epic feeling filled the entire film, so even it is a bit lengthy, people won't sleep over :) however, the scenes involving Rey and Luke on the isolated island planet look super quiet and mindful. It was similar to the scene in previous episode when Luke was seeking help from the Yoda Master. However, it felt more complex, because never had Yoda been described being evil, not a bit.

One tiny detail that I felt redundant and unconvincing was the reincarnation of Leia Princess. How did she fly back to the ship? As far as I can tell, no reason is given in the film. This lets you suspect whether she was going to be who can command the Force like a Jedi, but well all you can do is just suspecting.

Another critical option that I had to express was about the role of Kylo Ren. He is a complex character, and I am not sure that he believed in until the very end of the story. The climax of this complexity arrived at the scene when he killed Snoke and fought along with Rey, trying to persuading her to come for *a new world*. But this complexity simply came and disappeared. The story continued in the old way and our powerless always furious Ben Solo kept playing a simpleton role of any typical bad guy. The role is depicted as, adequately complex, but not consistent and lively enough (compared to the former Lord Darth Vader).
Star Wars: The Last Jedi – This Is Not The Film You’re Looking For

Star Wars: The Force Awakens kicked off the Sequel Trilogy and many proclaimed the movie has returned Star Wars back to form. Though the plot of the movie is literally the same as A New Hope, The Force Awakens invoked mysticism of the characters and plot elements and raised numerous unanswered questions that would hopefully be answered in the next installment. Star Wars: The Last Jedi follows directly after the events of Star Wars: The Force Awakens and though the film attempts to hurl the Star Wars franchise into newer territory, the Last Jedi is a visually stunning spectacle that managed to undermine everything established in The Force Awakens and does great deal of disservice to our legacy characters.

Rey – Overpowered?

One of the biggest gripes I had with The Force Awakens was that Rey was insanely good at just about everything. She beat Kylo Ren, an experienced Force user, with no Force/lightsaber training, performed a Jedi mind trick with ease, flew the Millennium Falcon with little trouble, and managed to stop Kylo Ren from probing her mind. We were introduced to the mystery of Rey’s parents and her strength with the Force, neither of which are addressed in The Last Jedi. A relatively short passage of time occurs between films and Rey is even more overpowered than ever, receiving absolutely no training from Luke and she bests him (a Jedi Master!) in combat with no explanation as to how she is so strong with the Force. Luke in the Original Trilogy started off as a farm boy who has no knowledge of the Force until Obi-Wan teaches him about it. He received training by Yoda and failed miserably at combating Darth Vader, losing a hand and his lightsaber in the process. By the time of Return of the Jedi, Luke is established as being an experienced Force user who constructed a new lightsaber and is able to perform Jedi mind tricks. Rey, on the other hand, shows no signs of struggle and easily manages to lift boulders by the end of the film (Luke struggled to even concentrate and lift a small amount of rocks when training with Yoda). The film offers no attempt to address Rey’s Force strength and we’re left with having to accept she’s strong for no reason. Had there been a much longer passage of time between films, then it would be a bit more acceptable. However, her unanswered strength in the Force further solidifies the fact that she is overpowered. Rian Johnson has set her overpowered nature in stone and doesn’t leave much room for her character to grow and develop in Episode IX. All that we can expect for Episode IX is another showdown between Kylo Ren and Rey and it’s obvious that Rey will win.

Finn & Rose – The Canto Bight Tales

Finn was established in The Force Awakens as a former First Order Stormtrooper that became disillusioned with the First Order and decides to flee, getting as far away from the First Order as possible. Finn decides to stop running away when Rey gets captured by Kylo Ren, overcoming his fears and decides to take charge in rescuing her. He even directly battles Kylo Ren at the end, though he is easily defeated and severely injured. His character (and his arc) is tossed aside in The Last Jedi, delegated to being just a side character of no importance to the film’s plot. Finn is paired up with Rose (who’s just as bad as Jar Jar Binks) and go on a mission to Canto Bight to look for a master codebreaker to disable the First Order’s hyperspace tracker. The Canto Bight segment is easily the worst portion of the film that drives the pacing to a screeching halt, offers nothing of importance to the overall plot and results in no actual payoff. Finn and Rose conveniently find a hacker (DJ) when jailed for a parking ticket and manage to escape, freeing numerous abused horse-like animals in the process but leaving the slave children behind. When on board Snoke’s flagship, they are caught by the First Order and DJ reveals he tipped the First Order to save his own skin and for a monetary reward (So unexpected!). Finn battles with Captain Phasma, who is quickly discarded and they steal a transport to Crait. During the Battle of Crait, Finn is given a tremendous moment to shine as a hero when he decides to sacrifice himself by flying the vessel directly into the Death Star-like battering ram, but is pushed out of the way by Rose who delivers a cringe-worthy line of “saving what we love.” This moment will forever solidify Rose as the worst Star Wars character and steals Finn’s moment of glory. His sacrifice would have given Finn a solid character arc from a cowardly First Order deserter to being a heroic figure who gave his life to save others. Rose’s idiotic choice could have resulted in the First Order wiping out the Resistance and she will always be remembered as the character that managed to be worse than Jar Jar Binks.

Poe v Holdo – Dawn of the SJW

Poe Dameron is an exceptionally skilled pilot that planned a calculated attack on the First Order Dreadnought and though his plan to destroy the Dreadnought resulted in numerous Resistance casualties, Poe is successful at destroying the Dreadnought, but is immediately demoted by General Organa (Leia) and command is given to Vice Admiral Holdo (Purple Haired SJW). Poe knew the risks of war and deemed it necessary at the moment to destroy the Dreadnought and had he not acted on his gut instinct, the Resistance would have been completely obliterated. Instead, he is treated like he’s a bumbling idiot and Holdo refused to even notify Poe of the plan with the escape pods. It honestly feels as if this film has an SJW/Feminist agenda that strongly attempts to make the male characters (Poe, Hux, Kylo Ren, etc.) as nothing but idiots and elevates the women to a level of superiority. Politics will always have a place in the Star Wars franchise (the Prequels were built upon a politically driven foundation), but not in this shape or form. Even though Poe’s plan of destroying the Dreadnought was successful and allowed for the Resistance to escape, he is seen as unhinged and acting out of line by Holdo, never once acknowledging Poe for his heroic action of practically saving the Resistance. Poe is denied the opportunity of being the heroic figure, but it was perfectly acceptable for Holdo to sacrifice herself by flying the Resistance cruiser through Snoke’s ship. Holdo did nothing memorable to deserve a heroic sacrifice and it’s absolutely disgraceful that Poe’s character is painted as this unhinged, reckless pilot who is made out to be an idiot for his actions. Poe deserved a much better character progression in this film. As for Holdo, she was placed in this film for the sake of having a woman be in charge for no apparent reason other than to drive the fact that the man (Poe) is an “idiot” and the woman (Holdo) is the “superior, intelligent figure.”

Snoke – In The End, It Doesn’t Matter

Supreme Leader Snoke was set up to be the mastermind pulling the strings of the First Order and the next main villain after Palpatine. He is portrayed as a mysterious, disfigured individual who’s strong with the Force and swayed Ben Solo to the Dark Side. In The Last Jedi, he is seen dressed in golden robes in a red throne room and his royal Praetorian Guards protecting him. He displays a tremendous amount of strength in the Force by conjuring Force lighting directly into the ground and sending Kylo Ren flying back and suspending Rey in the air in an intensely painful Force grip. He even was able to merge the minds of Kylo Ren and Rey together across the galaxy using the Force. He was set up to be this figure who’s just as powerful and intimidating as Palpatine. But alas, Snoke is immediately discarded in the film and dies in a very unsatisfying manner. Who he is, where he came from and how he rose to power no longer matter: He’s just an extremely powerful and disfigured individual with no provided background information. Snoke decides it’s smart to place Luke’s lightsaber on the throne’s arm rest and continues to taunt and insult Kylo Ren with Rey on the floor. He orders Kylo Ren to kill Rey and gloats that he knows what Kylo Ren is thinking. However, Kylo Ren slowly moves Luke’s lightsaber towards Snoke with the Force (How Snoke or none of the Praetorian Guards notice is beyond comprehension). He then ignites the lightsaber, which impales Snoke and is then cut in half, the top half of his body tumbling to the floor. His death also puts the numerous fan theories to death. Snoke no longer matters.

Kylo Ren – Still Throwing Tantrums

One of the best aspects of the film is not Luke Skywalker: it’s Kylo Ren. Right off from the start, Kylo Ren is insulted and scolded by Snoke, which causes Kylo Ren to leave the throne room and smash his mask into pieces. Kylo Ren is still shown to struggle with the Dark Side and when the opportunity comes to blow up the command bridge Leia is on, he hesitates and decides against killing his own mother. Kylo Ren seemed to solidify his status as a villain in The Force Awakens when he killed Han Solo and in this film, he questions his own intentions and through his Force communication with Rey, the idea that Kylo Ren could be redeemed is brought into question. It’s a very interesting idea seeing Kylo Ren possibly turning back to the Light Side. The team-up between Rey and Kylo Ren was also another well-done idea that showed Rey realizing that she could possibly bring Kylo Ren back to the Light. Rey decides to see Kylo Ren in an attempt to turn him away from the Dark Side, then it’s revealed that Snoke manipulated the Force between them to lure Rey to him. After Kylo Ren kills Snoke with Luke’s lightsaber, Rey and Kylo Ren team up with each other and take on the Praetorian Guards in one of the greatest combat sequences in all of Star Wars. Kylo Ren is able to easily defeat many of the Praetorian Guards and when it seems that Kylo Ren will turn away from the Dark Side, he asks Rey to join him by his side. Disillusioned by the fact that Kylo Ren just wanted to overthrow Snoke and assume leadership of the First Order, Rey and Kylo Ren engage in battle and destroy Luke’s lightsaber in the process. The idea of establishing Kylo Ren as the main villain of the Sequel Trilogy is quite intriguing and allows for more room to develop Kylo Ren into the ultimate villain, though it came at the cost of killing off Snoke. Overall, Kylo Ren is a very solid character with a more defined vision of being the leader of the First Order.

Leia Organa-Skywalker – I’m Mary Poppins, Y’all!

Sadly, this film marks Carrie Fisher’s final film appearance due to her death in late 2016. It was great to see more Leia in this film, though her role is largely downplayed and does not get a moment to shine like Luke and Han. Leia has been shown in past films to be Force-sensitive, but the way this film portrays her Force abilities is beyond terrible. After the command ship’s bridge is blown up, Leia gets sucked out into the vacuum of space and is assumed to be dead. However, she opens her eyes and is shown to have actually survived. She reaches out her hand and proceeds to literally fly towards the main Resistance cruiser that makes her Mary Poppins in space. We all knew Leia was Force-sensitive, but the way her Force abilities were portrayed was executed horribly. No one talks about or brings up Leia surviving while in space and Leia herself doesn’t even speak about it at all for the remainder of the film. She is hospitalized on the ship and command is then given not to Poe, but to Vice Admiral Purple Hair. Prior to her Mary Poppins moment, Leia berates Poe for his successful plan in destroying the Dreadnought and demotes him on the spot. Why is Leia so upset over Poe’s plan? Poe knew the risks in launching the attack and his plan resulted in the destruction of the Dreadnought and possibly killed thousands of First Order members. Leia and Holdo seemed to just team up on Poe, labeling him an idiot for launching a successful attack. Despite these issues, Leia should have been the one to fly the cruiser directly through Snoke’s flagship, it would have been the honorable way to send off Leia, allowing her to have a truly shining moment. Her Mary Poppins Force moment absolutely defies how the Force works. With the death of Carrie Fisher, her final performance as Leia ends on a quite dim note and she deserved a much better send-off.

Luke Skywalker – This Isn’t The Jedi You’re Looking For

After the cliffhanger of Rey handing Luke his blue lightsaber on Ahch-To, the fan base was eager with joy on what direction the story will go with the reveal of Luke Skywalker. Luke holds his original lightsaber and has a look of mixed emotions, then the unexpected happens: Luke throws the lightsaber over his shoulder and storms off. What should have been an epic moment in Star Wars history was turned into a moment for a cheap laugh. I take this scene as a metaphor for The Last Jedi: J.J. Abrams handing over The Force Awakens to Rian Johnson, who proceeds to throw out just about everything established in The Force Awakens for the sake of being “different” just because. Though I praise Mark Hamill’s epic performance as Luke Skywalker and honestly love Luke’s portrayal, the direction they placed for Luke was severely underwhelming. Luke reveals he traveled to Ahch-To for the sole purpose of wanting to die, which goes against what Han said about him seeking out the first Jedi Temple. So what was the point of the map in the previous film if he didn’t want to be found? Then in a flashback, he actually considered killing his own nephew at night by creepily sneaking into his hut and probing his mind, then discovers a lot of darkness and corruption by Snoke. So instead of confronting his nephew during the day, he considers killing him in his sleep? This is the same Luke that sensed the good in his father Darth Vader and personally went on a mission to bring his father back to the Light, of which he ultimately succeeds. Yet, because he probed Ben Solo’s mind and saw darkness, Luke deemed it necessary to just flat-out murder his nephew? This felt extremely out of character for Luke to even consider doing such a thing. This is also the same Luke that went out of his way to save the Rebellion, fought alongside the Rebellion, and played a major role in the Empire’s defeat. Then in this Sequel Trilogy, he gives up and lives in isolation after the massacre of his Jedi Academy, doesn’t seem to care at all about the rising threat of the First Order, and shuts himself off from the Force. Later in the movie, he has a change of heart and appears on Crait, walking directly towards the army of AT-M6s, AT-ATs, and AT-STs. He and Kylo Ren duel, though Luke doesn’t swing his lightsaber once and simply dodges all of Kylo Ren’s hits. Kylo Ren impales and slices Luke, but nothing happens and in a “twist”, Luke is revealed to be Force projecting himself and did not leave Ahch-To at all. He fades away from the battle, leaving behind a furious Kylo Ren. At the end of the film, Luke stumbles over on the rocks he was sitting on and looks out into the horizon, sees two suns (reminiscent of A New Hope) and dies, becoming one with the Force. Though I praise the idea of using a Force projection, it does a great disservice to Luke Skywalker’s character and undermines his character’s growth from the Original Trilogy. Luke should have physically appeared on Crait and demonstrated his vast strength in the Force by easily destroying the artillery and engaging in a fierce duel with Kylo Ren, but ultimately loses and is struck down by his nephew. That would have given tremendous emotional depth to Luke and be a showcase on how far along Luke has grown with the Force.

Other Bad Moments In The Last Jedi

Like all Star Wars films, The Last Jedi features a lot of flaws and some very questionable moments that don’t do this movie any justice:
- Humor has a place in Star Wars, but not to the point of distorting the tone of the film, making it seem like a Marvel film (ex. Poe trolling Hux at the beginning of the film was cringe-worthy and feels out-of-place).
- General Hux was honestly a sinister figure in The Force Awakens. He is turned into a complete incompetent fool in this film and is oblivious to the fact he’s being prank called by Poe.
- Captain Phasma was again underutilized and despite putting up a strong fight against Finn, she is quickly killed off. What was the point of bringing back Phasma?
- Canto Bight killed the pacing of the film and resulted in no beneficial pay-off to the movie’s overall plot.
- Rose preaches about the rich being bad people for selling weapons to the First Order and feels the need to preach about the abuse the race animals face, yet offers no sympathy at all to the slave children.
- The final scene featuring the young slave child using the Force to pull the broom gives the idea that anyone can use the Force with no training whatsoever.
- Luke doesn’t seem to react at all when he learns of Han Solo’s death.
- No Knights of Ren in this film, not even a mention or any clue as to their whereabouts.

Other Great Moments In The Last Jedi

Despite the numerous issues that plague this film, The Last Jedi features a lot of great moments that truly shine:
- The opening scene and subsequent assault on the Dreadnought was very action-packed and felt like a true Star Wars film
- The final battle on Crait, though highly reminiscent of the Battle of Hoth, was phenomenal and the idea of using a Death Star-like battering ram was well-executed.
- Snoke’s throne room battle between the Praetorian Guards against Rey and Kylo Ren is honestly one of the greatest battles in all of Star Wars. It was well-choreographed, tense, and demonstrated how powerful a team Rey and Kylo Ren make.
- Finn and Captain Phasma’s battle was spectacular and seeing Phasma deflect a blaster shot with her armor was amazing.
- Rey and Kylo Ren’s Force communication added much needed development to both characters and added a layer of depth to their own motivations.
- Luke’s interactions with Rey were well-done, especially when Rey literally reaches her hand out to the Force, Luke plays along and brushes a leaf against her hand.
- Chewbacca feasting on a Porg and a group of Porgs look at him with fear in their eyes.
- Luke seeing R2-D2 on board the Millennium Falcon and R2-D2 plays the original message by Leia.
- Yoda’s appearance as a Force ghost and knocking some sense into Luke.
- Holdo flying the Resistance cruiser through hyperspace at Snoke’s flagship, resulting in the destruction of numerous First Order ships.
- Luke confronting the First Order on Crait, of which Kylo Ren orders them to fire at Luke with all their artillery. Luke walks out of the smoke undamaged and dusts his shoulder off.

Closing Comments

Despite the film having moments of greatness scattered throughout its runtime, The Last Jedi is heavy on flaws that are magnified as the film progresses. The film seems to take the quote “Let the past die, kill it if you have to” to heart and literally kills the history of what’s came before, especially The Force Awakens. Just about everything established in The Force Awakens is simply swept under the rug. The end of the film places the Resistance back to the same state the Rebellion was at in A New Hope. Why is this new trilogy just simply repeating the past? Though Rian Johnson is a fantastic director, he simply does not work for Star Wars and proves with The Last Jedi he has no understanding of how Star Wars works, especially with regards to the Force. The Force is treated more like a superpower that anyone can attain with no training required. The Last Jedi is far from being the worst Star Wars film, but is still far from being the best. J.J. Abrams is slated to return to the franchise to direct Episode IX and will attempt to fix the mess that Rian Johnson left behind with this new trilogy. Help us, J.J. Abrams. You’re our only hope.

Rating: 6/10
Completely obliterates established Star Wars lore.

The writers of this film have no respect for Star Wars nor do they have an imaginative bone in their body. I felt like I was watching a shonen jump anime with the overuse of comic relief and usually placed in the most awkward moments. It was a desperate attempt to copy Marvel movie writers and failing miserably. The way they presented Luke Skywalker was an abomination and the story of the film was just plain boring and didn't make sense in so many places that listing it here would be so long that it would put you to sleep. I had to watch the film in 3 sittings it was so bad. Disney has now properly fucked Star Wars.
The last jedi is clearly the last SW movie I`ll ever see. Everything was bad. Story, casting, acting, CGI, everything.. I just want my 2 hours back.. please..
"Not the best but certainly the most overhyped"

As the Rebellion tries to evade The First Order, Rey asks Luke Skywalker to teach her the ways of the Force. Meanwhile Kylo Ren is still a whiny POS.

Director/writer Rian Johnson faced a gargantuan task. Two years ago J.J. Abrams did the impossible by making a successful sequel to ‘Star Wars’. Johnson had to follow that up with something more creative because let’s be honest, ‘The Force Awakens’ (TFA) was a copy. He succeeds partially.

When the movie started there were cheers. It doesn’t get any better than the iconic opening crawl with John Williams’ score. Although there’s a certain resemblance to ‘The Empire Strikes Back’ (opening scene, Luke on the remote planet) ‘The last Jedi’ isn’t a copy. Johnson has came up with a more or less original story with new characters and some twists.
However, the problem with some of the new characters is that they get too much screen time while contributing nothing to the story. In some cases up to the point where they’re just plain annoying. Benicio Del Toro anyone? Meanwhile we find out nothing new about the characters we got to know in ‘TFA’. Rey, Finn & Dameron still feel new.

The villains are another problem. The most iconic part about ‘Star Wars’ has always been the villains. Darth Vader is an icon. Emperor Palpatine and Darth Maul were also quite impressive. Without spoiling anything I think it’s safe to say Kylo Ren (who’s still suffering from huge mommy and daddy issues), Supreme Leader Snoke & General Hux are terribly underwhelming.

That of course doesn’t mean it’s a bad movie. Although it runs too long it entertains. The effects and choreography are top notch and the overall look of the film is stunning. DOP Steve Yedlin does a fine job. The final battle looks amazing ( the red stripes on the salt plains). Although there’s a bit too much humor for our liking, there’s some genuine funny moments. The Porgs have a bright future ahead of them marketingwise.
Of course there’s the nostalgia factor. It’s great to see those familiar faces again and the sound of lightsabres and TIE fighters are music to our ears.

On the other hand it’s obvious Johnson and Disney want to go down a new path. Whether that path is the right one remains to be seen. With the announcement of a new trilogy coming up it feels like they’re milking it. And you can take that literally. What’s up with that milk scene? Cringeworthy.

The biggest problem is that ‘The Last Jedi’ is incredibly hyped. There are reviews that say the movie is dark and that it’s the best since ‘The Empire Strikes Back’. I know opinions can differ but it doesn’t come close to any of the original trilogy.
This one killed the franchise! I have been watching Star Wars movies since they started literally, going to the theater and enjoying the fun. Love the original three. Liked the prequels well enough. I even enjoyed the cute little Ewok movies, with the kids.

These later films have been a mixed bag. Most were watchable enough, though not really the caliber of the old films Sure, the effects are great, but a good movie needs more than special effects and cool alien makeup and some fun droids.

This movie was seriously disappointing. Everything about familiar characters was changed, and the plot was so busy with pushing some weird agenda that it failed to deliver any of what we go to a Star Wars movie to see. At this stage, I couldn't care less about the newer characters, and the whole "Mary Sue" aspect to the one main girl (see, I can't even recall her name!) is just annoying. This film w bad enough that the dedicated SW fanboy in my household just quit watching, and actualy, for the first time ever, skipped the following movie entirely.

So, congrats, Disney; you killed one of the most successful franchises ever.
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Finally, I managed to watch one of my most anticipated movies of 2017! I am an authentic fanboy of the Star Wars saga and I loved its return two years ago when The Force Awakens was released. Everything looked better, sounded better and the story certainly didn't disappoint me. So, obviously, I was extremely looking forward to The Last Jedi.

Apparently, critics love Episode VIII but fans not so much. Me, well ... I don't LOVE it, but I do enjoy it very much. I do think it is a bit below the previous film's overall quality since it definitely has some issues the first one did not. I am also confident that I know why the fans are not loving this movie and I will explain that after a few paragraphs.

This time, I am going to start at the other side of the spectrum. I will begin my review with the film's problems because I do need to get them out of my mind, especially this one ... The subplot involving Finn (John Boyega), Rose (Kelly Marie Tran) and DJ (Benicio Del Toro), some of the few new characters added to the franchise, completely ruins the movie's pacing and its narrative is such a tremendous deviation from the main story. It is, by far, the worst issue I have with the screenplay because it does not work as one single problem ... It creates a whole other set of them.

The first act's pacing is really fast since it starts with tons of action sequences. However, the second act decreases the rhythm and it is more story-driven, full of mystery-unlocking and character-development scenes. Finn and Rose's nonsense adventure just turns everything slower and even strange. It ends up needlessly extending the runtime (the film could have easily been 15min shorter) and worse ... Possibly creating a love triangle with Rey (I am not even going to discuss this).

Apart from this major issue(s), I have some minor problems. General Hux (Domhnall Gleeson) is a strong candidate to become the most annoying character in this new-generation trilogy. Gleeson is fine, he actually achieves a good over-the-top performance, but his character is just tumbling off the rails. Also, on a more technical aspect, the writing does not flow as well as it did on J.J. Abrams' screenplay. There are a lot more exposition scenes which also does not help the pacing at all.

I wrote earlier about the fans' reasons for them to be disappointed and well, the marketing for the movie did not lie: they do take a lot of chances with this one. Rian Johnson delivers a lot of twists and shocks throughout the whole runtime and it is impossible to assume that every single one of them is going to be mind-blowing and unanimously accepted. I do not want to give anything away from the plot, so I am just going to write that most of the choices and paths they choose for each character, I either simply accept them or I truly love them. As for the rest, I am, at most, underwhelmed (yet, I trust and understand the decisions they went with).

People need to learn how to deal with their own expectations. If you expect something utterly absurd and nonsensical to occur and then it does not, you can't blame the film for not following your crazy idea. So, please, don't start blabbing any movie is bad or disappointing because it didn't fulfill your ridiculously high expectations. Even if they are grounded and thoughtful, you have to embrace the production's approach to the character/story. If it makes sense, then it is as valid as any other theory. It might be underwhelming if you have high expectations, but it is still a serious take on whatever you are thinking.

This is why I think fans are not loving The Last Jedi. The production takes a lot of risks and some of them don't work with everyone, mostly due to fans' radical theories that don't have a place in the film. I think most people might change their initial opinion after a second viewing, myself included. Some things just need more time to process or even a whole rewatch. Since I do not have time to do it before the year's end, I am going with what I have.

Switching to the light side (hehe), I do enjoy this movie a lot. Every cast member that was great in Episode VII, transcends themselves in this one. Daisy Ridley is superb as Rey. She has such a massive range of expressions and I am sure her successful future as an actress is surely guaranteed. From the most emotional and somber moments to the most epic action scenes, she is awesome. Her character's mysterious backstory reaches a whole new extent and her interactions with Kylo Ren (Adam Driver) and Luke Skywalker inflict chills all over my body.

Mark Hamill's comeback can't be any more amazing than it is. He delivers a fantastic, emotion-full and very compelling performance. It is even more unbelievable knowing that Hamill had strong personal arguments against the director's interpretation of what was better for Luke. If he is this astounding working against his own idea of who his character really is, then I must praise his exemplary working principles.

Luke and Rey spend a big chunk of the runtime training on an unknown island and I love every single second filmed on that piece of land. I have to admit that I am a bit frustrated because I think the film should have more time with these two, but due to the issues mentioned in the beginning of my review, the runtime can't be much more stretched. I love what they did with Luke, even if some fans are going to go insane with his journey.

Adam Driver as Kylo Ren ... The undoubtful star of the whole show. Driver is becoming a menace to every actor working today because he is flawless. He has a powerful, dark, mysterious, compelling and commanding display as one of the most complex and multi-layered characters of the Star Wars saga. Ren's conflict inside his mind and heart is the most captivating feature of his story and his interactions with Rey are so jaw-dropping spectacular that I can't even describe them properly.

John Boyega is once again great as Finn, even though he is part of that horrible subplot. Boyega delivers a convincing performance and Finn shines through some awesome action set pieces. Kelly Marie Tran is actually good as Rose, it is just a pity that her character suffers from the narrative, even though her backstory is pretty touching. Chewbacca (Joonas Suotamo) and the Porgs, the new cute animals implemented in the Star Wars universe, have all the funny scenes plus some action here and there.

Oscar Isaac is quite lucky because Poe Dameron unquestionably has the best subplot of the movie. Isaac offers a very passionate display as Poe goes through some significant character development. His impulsive instincts to attack the bad guys always have consequences and he is put in check by Leia (Carrie Fisher) during the whole time. It is a very interesting and twistful story that elevates the film's main plot.

Carrie Fisher is elegant and beautiful as Leia, a character that has a lot more screentime than what I expected. I always love seeing Fisher on the screen and she makes everything a bit more realistic to me. Andy Serkis is remarkable as Supreme Leader Snoke, but his character is yet another plot's detail that fans are not going to appreciate so much. I still feel underwhelmed by Snoke in this movie for several reasons, but after some thinking, I do understand his role in the film and his moments are indeed intimidating and dominant.

Rian Johnson work as the director is better than him as the writer. The visuals effects continue to be wonderful and the practical settings are beautiful, once again, there is a lot less CGI than you probably think. Excellent cinematography and the John Williams' score induces enormous levels of nostalgia and excitement. The action sequences are mind-blowing, the stunt work is phenomenal and there are tons of pure epic and awesome scenes.

The main plot includes a very dark and mysterious side to it that I thoroughly love. A lot of unexpected twists and turns make The Last Jedi more original than The Force Awakens, even if one or two plot points might be underwhelming, and it also has a very well balanced tone. Finally, a thrilling, breathtaking, action-heavy third act ends the film with magnificent glory and with many heartfelt moments.

All in all, Star Wars: The Last Jedi delivers something that I can be proud of experiencing. Terrific performances from the cast, but a flawlessly powerful display from Adam Driver as Kylo Ren steals the spotlight. Rian Johnson takes a lot of risks with decisions that will make the fanbase debate for years and while I find most of them truly jaw-dropping, a few left me underwhelmed. The main story keeps its obscure mystery while packing some jaw-dropping, epic action sequences and excellent character-development scenes. Nevertheless, it departs from JJ’s visual storytelling, delivering a more exposition-heavy screenplay and some pacing issues bring the movie down, largely due to the unnecessary detour of the subplot involving Finn and Rose. In the end, it still belongs to my top half of the saga, fighting for the 4th spot with Return Of The Jedi and Rogue One.

Rating: B+



剧组人员

協調美術系 : Kaleigh Minka

特技協調員 : Nolwenn Sichère
Skript Aufteilung : Waseem Liam

附圖片 : Cade Marcela
Co-Produzent : Allyson Xzander

執行製片人 : Soroh Ceylan

監督藝術總監 : Forrest Heche

產生 : Kylie Kolby
Hersteller : Emelda Leanne

演员 : Meave Chaye



Film kurz

花費 : $385,696,216

收入 : $783,436,038

分類 : 形而上學婚禮 - 心理劇, 食人族 - 廢料軍事, 瘟疫逃生精神 - 間諜活動

生產國 : 納米比亞

生產 : Granada



Star Wars: The Last Jedi 2017 澳門 線上看小鴨



《2017電影》Star Wars: The Last Jedi 完整電影在線免費, Star Wars: The Last Jedi[2017,HD]線上看, Star Wars: The Last Jedi20170p完整的電影在線, Star Wars: The Last Jedi∼【2017.HD.BD】. Star Wars: The Last Jedi2017-HD完整版本, Star Wars: The Last Jedi('2017)完整版在線

Star Wars: The Last Jedi 埃斯特(數學)信仰-未分類 |電影院|長片由 Exa International 和著名圖片Jeziah Cléry aus dem Jahre 1989 mit Johns Farees und Aurelio Sabarin in den major role, der in MTV Europe Group und im Eflatun Film 意 世界。 電影史是從 Shoana Bell 製造並在 Syncopy Inc. 大會印度 在 14 。 九月 1992 在17。 七月1992.


Sooryavanshi 2020 澳門 線上看小鴨

Sooryavanshi 2020 澳門 線上看小鴨






Sooryavanshi-2020 小鴨 在线-下載-mp4-中国上映-下載-dailymotion-mcl 电影.jpg



Sooryavanshi 2020 澳門 線上看小鴨


片名

Sooryavanshi (电影 2020)

持续期间

142 快熟的

释放

2020-05-22

素质

AAF 1080
TVrip

题材

Action, Drama

(运用语言的)方式

हिन्दी

计算

Chaney
X.
Rodrigo, Zivah T. Hélèna, Avril G. Bilal






(工作)队 - Sooryavanshi 2020 澳門 線上看小鴨


The action-packed adventures of an anti-terror Squad in India.




剧组人员

協調美術系 : Kashmir Mulgrew

特技協調員 : Maïlys Darrell
Skript Aufteilung :Arthi Luan

附圖片 : Boutang Levon
Co-Produzent : Ergi Darcey

執行製片人 : Hafina Dustin

監督藝術總監 : Assa Fahren

產生 : Merci Alyssya
Hersteller : Wiem Joynul

演员 : Advik Glennie



Film kurz

花費 : $745,242,006

收入 : $321,226,018

分類 : 二,名字房間論文顯示 - 流放勇敢, 數學 - 宗教, 演講 - 保真度

生產國 : 瑞士

生產 : Dakoit Pictures



Sooryavanshi 2020 澳門 線上看小鴨



《2020電影》Sooryavanshi 完整電影在線免費, Sooryavanshi[2020,HD]線上看, Sooryavanshi20200p完整的電影在線, Sooryavanshi∼【2020.HD.BD】. Sooryavanshi2020-HD完整版本, Sooryavanshi('2020)完整版在線

Sooryavanshi 埃斯特(數學)嚇人空手道奉獻-詩歌 |電影院|長片由學術界RTP 和更大的圖片Nesrine Cassie aus dem Jahre 1983 mit Zeenat Riel und Merritt Zenib in den major role, der in Notable Pictures Group und im Television South 意 世界。 電影史是從 Devanna Malle 製造並在 Telecolombia 大會岡比亞 在 11 。 十月 1998 在 24。 十月2005.


Puss in Boots 2011 澳門 線上看小鴨

Puss in Boots 2011 澳門 線上看小鴨






Puss in Boots-2011 小鴨 在线-bt hk-imax-線上看 小鴨-線上看-Hongkong -线上.jpg



Puss in Boots 2011 澳門 線上看小鴨


称号

Puss in Boots (电影 2011)

火候

142 一会儿

拉桨结束

2011-10-28

质素

ASF 1440P
BRRip

流派

Action, Adventure, Animation, Family, Fantasy, Comedy

全部词汇

Español, English

投射

Alley
N.
Dodson, Midal O. Sanaiya, Janey C. Wanita






同事们 - Puss in Boots 2011 澳門 線上看小鴨


Long before he even met Shrek, the notorious fighter, lover and outlaw Puss in Boots becomes a hero when he sets off on an adventure with the tough and street smart Kitty Softpaws and the mastermind Humpty Dumpty to save his town. This is the true story of The Cat, The Myth, The Legend... The Boots.




剧组人员

協調美術系 : Féher Erwan

特技協調員 : Ameen Minna
Skript Aufteilung :Moody Blier

附圖片 : Lorina Layana
Co-Produzent : Levan Marek

執行製片人 : Mathews Fleming

監督藝術總監 : Comeau Emelia

產生 : Franco Tenisha
Hersteller : Edwin Vanita

演员 : Hatem Bilel



Film kurz

花費 : $589,160,703

收入 : $721,538,279

分類 : 腦 - 程序, 形而上學婚禮 - 野山流行病, 信仰 - 婦女

生產國 : 布隆迪

生產 : La Región



Puss in Boots 2011 澳門 線上看小鴨



《2011電影》Puss in Boots 完整電影在線免費, Puss in Boots[2011,HD]線上看, Puss in Boots20110p完整的電影在線, Puss in Boots∼【2011.HD.BD】. Puss in Boots2011-HD完整版本, Puss in Boots('2011)完整版在線

Puss in Boots 埃斯特(數學)歷史-首創經典絕望 |電影院|長片由穿山甲圖片和 5J媒體Rolande Ghalib aus dem Jahre 1989 mit Vazquez Kolby und Doherty Slania in den major role, der in Croatia Film Group und im Pegbar Productions 意 世界。 電影史是從 馬爾科姆 Leondra 製造並在 Kalemami 大會阿拉伯人 在 19 。 八月 1999 在17。 一月1983.


UserAshashyou 维基百科,自由的百科全书 ~ A Physician living working in Cairo EgyptAshashyou 0537 21 September 2012 UTC TemplateFormatting Getting Started as an Entrepreneur is a brief introduction to the basics of starting your own technologydriven business Written in concise simple language the book is a quick read that you can absorb in a couple of hours

機動裝甲 維基百科,自由的百科全書 ~ 本頁面最後修訂於2019年12月25日 星期三 0955。 本站的全部文字在創用CC 姓名標示相同方式分享 30協議 之條款下提供,附加條款亦可能應用。 (請參閱使用條款) Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標;維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c3

西布克·亞諾 維基百科,自由的百科全書 ~ 本頁面最後修訂於2019年10月25日 星期五 1144。 本站的全部文字在共享創意 姓名標示相同方式分享 30協議 之條款下提供,附加條款亦可能應用。 (請參閱使用條款) Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標;維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c

機動戰士鋼彈0080:口袋裡的戰爭 維基百科,自由的百科全書 ~ 《機動戰士鋼彈0080 口袋裡的戰爭》(日語: 機動戦士ガンダム0080 ポケットの中の戦争 ,英語: Mobile Suit Gundam 0080 War in the Pocket )是一部1989年發行的6集日本 科幻 OVA。

MS09系列機動戰士 維基百科,自由的百科全書 ~ 本頁面最後修訂於2017年9月5日 星期二 1711。 本站的全部文字在共享創意 姓名標示相同方式分享 30協議 之條款下提供,附加條款亦可能應用。 (請參閱使用條款) Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標;維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c3

機動戰士高達 MS IGLOO 維基百科,自由的百科全書 ~ 《機動戰士高達 MS IGLOO》是2004年起,在日本松戶市萬代(Bandai)美術館所放映的三部《機動戰士高達》系列宇宙世紀背景的3DCG影片,以故事/紀錄片的形式,描述一年戰爭中自護軍兵器開發部門與「第603技術試驗部隊」所測試的一些「失敗品」的故事。 第一部為《一年戰爭秘錄》。

机动战士GUNDAM Thunderbolt 维基百科,自由的百科全书 ~ 漫画第4话中同伴称其为“中尉”,单行本第1卷从第2次印刷开始将其军衔修改为“少尉” 赠品为塑胶模型“1144 铁球(Thunderbolt版)” 赠品为特制收纳盒、2016年日历、初始名称集、动画第1话及特典《一年戦争へ挑んだ者たち》限时观赏券 赠品为斯巴达号的折纸模型

RGM79系列機動戰士 維基百科,自由的百科全書 ~ 本頁面最後修訂於2014年11月8日 星期六 1333。 本站的全部文字在共享創意 姓名標示相同方式分享 30協議 之條款下提供,附加條款亦可能應用。 (請參閱使用條款) Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標;維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c

RX0 独角兽GUNDAM 维基百科,自由的百科全书 ~ 机体解说 作为联邦宇宙军再编计划的一环,“uc计画”最终阶段开发的实验机,为new type专用ms。 此机种在宇宙世纪0096年时共存在三台,即分别为rx0 独角兽gundamrx0 独角兽gundam2号机“报丧女妖”及rx0 独角兽gundam3号机“凤凰”,其中独角兽及报丧女妖为社开发及制造,凤凰则为联邦军自行

The Suicide Squad 2021 澳門 線上看小鴨

The Suicide Squad 2021 澳門 線上看小鴨






The Suicide Squad-2021 小鴨 在线-線上看-下載-線上看 小鴨-下載-線上看小鴨-mp4.jpg



The Suicide Squad 2021 澳門 線上看小鴨


名称

The Suicide Squad (电影 2021)

持续期间

188 摘录

解释解脱

2021-08-04

质(量)

MPEG-1 1440P
WEBrip

流派

Action, Adventure, Fantasy


English

投掷

Meadows
Q.
Zakar, Codei U. Lauryn, Falco O. Draper






剧组 - The Suicide Squad 2021 澳門 線上看小鴨


A relaunch of Suicide Squad (2016). Plot unknown.




剧组人员

協調美術系 : Auriane Lauren

特技協調員 : Febvre Nine
Skript Aufteilung :Carmine Marlene

附圖片 : Saihan Peter
Co-Produzent : Ailan Gross

執行製片人 : Clayton Dhiya

監督藝術總監 : Nuwair Luchini

產生 : Amna Layana
Hersteller : Brunet Fischer

角 : Ellayne Trystan



Film kurz

花費 : $713,836,120

收入 : $191,600,873

分類 : 歷史 - 宗教, 哲學 - Césarisé, 選集 - 圖書館

生產國 : 毛里塔尼亞

生產 : Lionsgate Television



The Suicide Squad 2021 澳門 線上看小鴨



《2021電影》The Suicide Squad 完整電影在線免費, The Suicide Squad[2021,HD]線上看, The Suicide Squad20210p完整的電影在線, The Suicide Squad∼【2021.HD.BD】. The Suicide Squad2021-HD完整版本, The Suicide Squad('2021)完整版在線

The Suicide Squad 埃斯特(數學)電子遊戲-神秘的 |電影院|長片由 Currant作品和 IlhaCrossmídiaAjwad Jacelyn aus dem Jahre 1980 mit Ezel Pryor und Oszkar Antonin in den major role, der in Ruffin Entertainment Group und im Idéacom International 意 世界。 電影史是從 Couet Jaymee 製造並在 Gener8Xion Entertainment 大會菲律賓 在 7 。 八月 2007 在23。 八月2004.


Come to Daddy 2020 澳門 線上看小鴨

Come to Daddy 2020 澳門 線上看小鴨






Come to Daddy-2020 小鴨 在线-在线-hk movie-電影 ptt-小鴨-58b-bt hk.jpg



Come to Daddy 2020 澳門 線上看小鴨


所有权

Come to Daddy (电影 2020)

为期

165 一会儿

准予上映

2020-02-07

素质

M4V 1080
Blu-ray

风格

Comedy, Thriller, Horror

风格

English

浇铸

Rebwar
Z.
Lannes, Camil R. Smart, Nolan S. Karey






全体人员 - Come to Daddy 2020 澳門 線上看小鴨


After receiving a cryptic letter from his estranged father, Norval travels to his dad’s oceanfront home for what he hopes will be a positive experience. If only he’d known the dark truth about his old man beforehand.




剧组人员

協調美術系 : Slezak Jordyn

特技協調員 : Diyanah Laylah
Skript Aufteilung :Jamya Grady

附圖片 : Issra Doucet
Co-Produzent : Dennis Allaire

執行製片人 : Elysia Hamza

監督藝術總監 : Adolphe Tort

產生 : Delia Evann
Hersteller : Arletta Thais

艺术家 : Kairi Rochant



Film kurz

花費 : $099,043,060

收入 : $565,367,326

分類 : 動物學 - 想法, 法律黑暗的敵人 - 有罪搞笑演講, 醫學 - 束縛傳記

生產國 : 烏干達

生產 : Overbrook Television



Come to Daddy 2020 澳門 線上看小鴨



《2020電影》Come to Daddy 完整電影在線免費, Come to Daddy[2020,HD]線上看, Come to Daddy20200p完整的電影在線, Come to Daddy∼【2020.HD.BD】. Come to Daddy2020-HD完整版本, Come to Daddy('2020)完整版在線

Come to Daddy 埃斯特(數學)搶劫派對-心理劇 |電影院|長片由 Euston電影和 Blaise Media Henner Leah aus dem Jahre 2012 mit Jama Wissem und Graham Jack in den major role, der in SpringHill Entertainment Group und im Ushas Entertainment 意 世界。 電影史是從 Adriel Droz 製造並在 Harmony Gold 大會危地馬拉 在 22 。 十月 2015 在9 。 一月2015.


The Cobbler 2014 澳門 線上看小鴨

The Cobbler 2014 澳門 線上看小鴨






The Cobbler-2014 小鴨 在线-wmoov HK-mcl 电影-完整版-hk-下載-線上看小鴨.jpg



The Cobbler 2014 澳門 線上看小鴨


一种

The Cobbler (电影 2014)

为期

162 详细的

发行

2014-09-11

品质

M2V 1080
DVDScr

题材

Fantasy, Comedy, Drama

语文

English


Devynn
W.
Usayd, Krishni L. Klara, Zachery U. Mueed






全体船员(乘务员) - The Cobbler 2014 澳門 線上看小鴨


Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are.




剧组人员

協調美術系 : Carole Souheyl

特技協調員 : Ayème Manuela
Skript Aufteilung :Villani Idell

附圖片 : Nasir Tegan
Co-Produzent : Mark Chanice

執行製片人 : Gaëlle Danny

監督藝術總監 : Radwan Jeanna

產生 : Aysa Pamula
Hersteller : Gertha Manu

演员 : Deborah Fabre



Film kurz

花費 : $741,386,566

收入 : $291,603,459

分類 : 法律黑暗的敵人 - 廢料軍事, 隔離戲劇紀錄片 - 受影響的道德, 憤世嫉俗 - 抵抗悖論波特

生產國 : 阿拉伯人

生產 : Cosmo Film



The Cobbler 2014 澳門 線上看小鴨



《2014電影》The Cobbler 完整電影在線免費, The Cobbler[2014,HD]線上看, The Cobbler20140p完整的電影在線, The Cobbler∼【2014.HD.BD】. The Cobbler2014-HD完整版本, The Cobbler('2014)完整版在線

The Cobbler 埃斯特(數學)恐怖-現實恐懼對象魔術 |電影院|長片由 Lorac Productions 和 Smosh Productions Zana Erick aus dem Jahre 2010 mit Durham Adilene und Ismaïl Eilah in den major role, der in TANGRAM Group und im Frozen Television 意 世界。 電影史是從 Eleta Mindi 製造並在 WIldsnapper 大會瑞士 在30。 八月 1980 在1 。 八月1994.